I recently
announced that I’m thrilled to have signed on with Tricia Lawrence of the Erin Murphy Literary Agency. Tricia is a fabulous agent and I cannot express how
excited I am to work with her! I truly feel honored and can’t wait to roll up our sleeves and get started.
Many “How I
Got My Agent” blog posts exist on the web but because each person’s journey is
a little different (and many of my writer friends want to know the details),
I’ve decided to launch one more “agent journey” story out into cyberspace.
Before I
get into these past few weeks, a whirling dervish of events, I wanted to share
what led up to getting an offer. Let me start with some numbers.
12. I started submitting my work to agents twelve years
ago. And I had no business doing so! I had only been writing for two years so I
hadn’t had enough time to fully develop my skills, learn the craft, or even find
myself as a writer. Oy! What was I thinking?
69. This is the number of agent submissions I made before
receiving an offer of representation. I had subbed to 22 agents prior to
getting my MFA from Vermont College of Fine Arts, and subbed to another 47
after I had graduated in July 2011. Did I mention how persistent I can be?
Yep, it had
been a very, very long journey. I had so many “downs” that I can’t begin to
explain how I kept going, other than to say I didn’t see any other option. What
was I going to do? Not write? Also, I couldn’t disappoint my family and friends
but most of all I could not disappoint myself and give up on doing something I
love so much.
What did I
learn along the way?
1)
Do
not listen to “them.” “They” (those
voices that claim to understand how things work in this business) are not always right. General guidelines and
opinions are helpful but not meant for everyone. For example, after I graduated
“they” kept saying that picture books were a hard sell and that the only way I
could get an agent was to sell a novel and then later approach my agent about
my picture books.
So, I spent almost a year and a half
subbing my novel (I would submit it in spurts, letting my ego heal after each
wave of rejections). The biggest problem with this plan was that my novel
wasn’t my strongest writing. Picture books were my strength.
The other problem was that while at
VCFA, I found myself as a writer. I
discovered that my true passion lies with picture books and easy readers. I
knew this to my core. So, for that year and half I was trying to sell my novel,
in a sense I was betraying who I truly was as a writer. I should have blocked
out what “they” were saying and followed my heart.
2) The second thing I learned was to
submit smarter. Because I had multiple picture book manuscripts, I made two
sets of mss to submit—those that went to agents and those that went to editors.
Admittedly, I focused most of my energy on agent submissions, so agents got “my
best stuff” but I did use a couple of mss for editorial submissions (the idea
behind subbing to editors was that if I got a contract offer I could use it
obtain an agent). Also, if an agent requested to see more of my work (because that’s what they do with picture
book writers), I would have other polished mss to send them.
3) The third thing I learned is to BEND
THE RULES. This was hard for me because I’m a rule-follower. Always have been.
I squirm and sweat if I know I’m breaking a rule. My heart rate increases. I
become physically uncomfortable. So in a business where making even one mistake can be cause for immediate
rejection, breaking rules was out of
the question for me. But I did learn to bend
them.
So, after a year and a half of novel rejections,
I decided to do something different—not break a rule, but bend a rule. I’d read somewhere that Tricia Lawrence (of the Erin Murphy
Literary Agency) was building her picture book client list. The problem was EMLA
was a closed agency and I’d never met or heard Tricia speak. I decided to write
Erin Murphy (whom I’d met in person at two SCBWI events) and ask her if I could
send a picture book manuscript to Tricia. Erin kindly wrote back and said yes.
You see, this is why I call this “bending a rule.” I didn’t just send an
unsolicited manuscript to Tricia (that would be breaking a rule); I approached
Erin first (out of respect) and hoped like heck that she would grant me
permission. I’m so glad she did! (Thanks, Erin!)
The
next rule I bent came when Tricia asked to send more of my work. She wrote me a
few months after my initial submission and asked to see 3-4 picture books.
Little did she know that I had fifteen completed manuscripts! Choosing which
ones to send was so hard, so I bent a rule (the rule being, do exactly what an
agent requests) and I sent her six manuscripts. Okay, please don’t take that as
meaning you should flood an agent with all your manuscripts! I had a full body
of completed work from my MFA, plus I had written and revised more stories
since I graduated in 2011. These were all highly-polished stories. I researched
Tricia online even more and sent her the six I thought would appeal to her the most.
The
next day, I sent a status query to another agent who had been holding a
manuscript for three months, whom I will call Agent B. I mentioned that another
agent had requested to see more of my work (not an offer, just a request to see
more). He wrote me back the next day and asked if he could see two more PB mss.
Instead (there I went again, bending another rule), I sent him an “elevator pitch
sheet” I’d created that listed all my mss with a 1-2 sentence description of
each. That afternoon, he let me know which two mss he wanted to see.
A
few days later, another agency (I’ll call them Agent C) asked to see more of my
work. They wanted a couple more picture book manuscripts so once more I bent
the rule and sent them five. The reason I bent this rule so much was that I
thought it was critical to show my range (because I write fiction, nonfiction,
verse, and prose picture books).
At that
point, I had three agents holding multiple mss. I didn’t get my hopes up too
much (because this business loves to chew up writers and spit them out!), but I
had a feeling something big was about to happen. And boy did it!
Stay tuned
for Part II…
