Tuesday, July 10, 2007

TRAVEL TIPS: Staying Safe When You Venture Out to Play


To keep things managable, this is the first to a two-part article that I wrote on keeping yourself self. As a former black belt who assisted with women's self-defense seminars, I thought this might be of interest to anyone who attends conferences, retreats, weekend workshops, etc.

Part 1: Staying Safe

Writing is a solitary profession, but there are those occasional times when I clap with excitement, kick off my bunny slippers, don a nice dress and attend a conference.

I love conferences—I schmooze, swap ideas, listen and learn. Attending conferences is like chicken soup for my career, but venturing out does one thing that I’m not accustomed to— traveling alone.

While others are heading off to their daily jobs in the “real world”, I (like many other writers) am heating up the coffee and settling into my writing chair. It’s easy for me to forget basic safety rules that others take for granted, so here are some tips I think we should all keep in mind whenever we venture out to play:

YOUR IMAGE

1. How do you project yourself? Men who prey on women are predators and will scope out their victims in search of someone who appears to be an easy target. Do you walk tall, make direct eye contact with people and keep aware of your surroundings? Or do you appear timid, look at the ground and have your mind elsewhere?

YOUR VEHICLE

2. Carpool, if possible.

3. If renting a car, request either a car near the rental building or ask a security guard to escort you to your vehicle.

4. Park in a well-lit location where people are present.

5. Have your cell phone readily available.

6. Have your keys ready before you approach your car. I always take my keys out while I’m in the hotel lobby to 1) avoid fumbling around in my purse for them while at my vehicle, and 2) having them ready for use as a possible weapon (more on that later).

YOUR HOTEL

7. Never accept an isolated room.

8. Always use the security door locks and brace the door, if necessary. One year I roomed with a writer who shared with me that the night before, when she stayed in the room alone, she braced the door with a desk. Smart lady!

9. Just like Mom taught you, only answer the door if you know who’s there.

10. Bring a flashlight and keep it on your nightstand.

11. If you stay out late to schmooze or do a critique session, stick with your writer companions, but if you do happen to end up alone in the hotel lounge or restaurant, wait for others to leave so you can walk out with them.

(Part 2 will be posted later this week)

Sunday, July 8, 2007

The Pacific Northwest: Back from Vacation!


Ahh, Oregon. My home away from home. I just returned from an extensive stay in the Evergreen State. It’s beautiful, it’s down-to-earth and it’s the birthplace of Blackberry Banquet . Blackberry bushes are everywhere in the Pacific Northwest. They’re actually a highly invasive plant, seen as an annoyance by many, but in a few weeks, the delicate white flowers will have all disappeared and made way for the plump, juicy, melt-in-your-mouth sweet sensation that only comes from a blackberry fresh off the bush. Ahh, Oregon!

I took my camera for photographing pictures for future inspiration. I took many walks and bike rides to do “that ruminating thing” that writers must do for their creative spirit (that was how Blackberry Banquet came about, after all). Going to Oregon is like dipping my writing spirit into the well of creativity. Perhaps because I spent part of my childhood in the Pacific Northwest, perhaps because it’s so very different from my desert home. Or perhaps there’s a magic in The Pacific Northwest that lends itself to folks like us. Ah, Oregon!

Wednesday, June 27, 2007

TRAVELING TOOLS FOR A GOOD NIGHT’S SLEEP


I love to travel, but unlike in my younger days when I could literally sleep on the ground with a boot for a pillow, my sleeping needs have changed. I have a small arsenal of pillows I take with me and some other tools for assuring that I get a good night’s sleep when attending conferences, retreats or inspirational weekend getaways.

First, I always take a CD player with headphones and a CD of soothing music. Because I’m an introvert (drawing my energy from within), I need that kind of thing to re-energize. Whatever CDs work for you is best—I prefer either quiet nature sounds (such as Sounds of Yosemite or peaceful music, such as Yanni’s Love Songs or Enya’s In Memory of Trees). Listening to this as I drift off to sleep really does help me to wind down and silence my mind from the day’s events.

Another thing that I always carry in my suitcase is earplugs. I’m not a fan of wearing earplugs when I sleep, but sometimes I find myself in situations where it’s the lesser of two evils—like the time my room was located near a noisy city street, or the time it drizzled all night and the drainpipe was by my window, or when I took a chance and roomed with a conference roommate whom I’d never met, only to discover that she snored. You get my point.

Lastly, I’ve recently discovered the value of keeping an eye mask in my suitcase. I use the black “40 Blinks” model from TravelSmith. I love these! They have an adjustable strap, are foam-molded and when worn make it pitch black. I bought a pair after attending a retreat at an old California mission. The dorm-style rooms had uncovered louvered windows above the doors, but the problem was that the hall lights stayed on all night, lighting the rooms considerably.

Being from the desert, I’m used to near total darkness at night and only the occasional sound of a coyote, but thanks to these tools, I’m ready for any sleeping arrangements that my travels take me to—so long as I don’t have to use a boot for a pillow!

Monday, June 18, 2007

CRITIQUE GROUPS

I love my critique group and feel very fortunate to belong in it. It’s composed of a group of writers from my SCBWI region, some published, some not-yet-published (but definitely will be). We’re an online group, because our region is vast and we live too far apart to meet in person on a regular basis. There are six of us, and each person brings something unique and special to the group, not only with her writing, but with her personality as well. I think what find most valuable though, from my critique group, is that they’re supportive in all the right ways. And I believe that any good critique group does the same.

A good critique group knows when to be honest with each other, to have the courage to say when something isn’t working in a story (isn’t that what having a pair of fresh eyes is all about?). Honest, thoughtful suggestions are what help to move one’s work forward. Blind, superficial praise does nothing to improve writing (although it might make the recipient feel good—but feeling good isn’t going to get your work published).

A good critique group also knows when to give each other a kick in the pants, on occasion. Members will look out for each other and not feel threatened by each other. Mutual respect is felt amongst the group along with a sense of helping each other toward their writing goals.

I have a friend who once belonged to a critique group and after every meeting, she would complain to me about them. She commented that they were either mean-spirited in their comments, or would blindly praise each other’s work—meaning, there was never any constructive criticism offered (“If I want to feel good about myself, I’ll let my husband read my work and tell me how brilliant I am.”) When she finally felt comfortable enough with the group to make suggestions for improvement on someone’s story, she was shut down. One person even told her that her suggestions were stupid.

My response? “That group is poisonous. Get out!” A critique group experience should leave you feeling hopeful, and anxious to dive into making improvements. You should feel a bit enlightened (“Hmm, I never thought of it that way!”). Your mind should be spinning with the excitement of digging into work, not like it’s been thrown into a ditch and there’s no way to climb out—whether you’re doing the critiquing or being critiqued.

So, what’s my point? Critiquer beware. Critique groups can be a valuable part of your writing experience, but enter with caution. Make sure that they’re helping you to improve your writing. And if not, politely “exit stage left” and move on. Maybe try a different group or maybe decide that critique groups aren’t right for you. The important thing is to find out what works for you.

Note: Check your local SCBWI chapter to see if they have a critique group coordinator to help you find a group in your area.

Saturday, June 9, 2007

MY KIND OF REJECTION

Let’s face it—nobody likes receiving a rejection letter. Yes, there are things we can learn from them, but the bottom line is that a rejection is still a rejection. No sale. Nada. Zip. But once in a great while, a rejection letter makes me laugh—like the one I received today.

I sent the manuscript for The Blackberry Bush to a publisher (who shall remain anonymous) in August of 2005. Yes folks, that’s right. August of 2-0-0-5. Today, June 9, 2-0-0-7, I received a rejection letter on the story. Now, normally this would have really ticked me off (even though I’d have given up on said publisher long ago). But since The Blackberry Bush is now under production as Blackberry Banquet with the ever-insightful Sylvan Dell Publishing, I could laugh at this latest rejection letter.

So take heart--not all rejections will bring a howling cry of frustration. Sometimes they bring a howl of laughter--at the glacial speed of this business, or at the delight in knowing that someone else "discovered" your story while others missed that golden opportunity. It's a crazy business we live in, isn't it?

Thursday, June 7, 2007

FRIDAY FUNNIES: Recipe with a Laugh

What’s a sailor’s favorite snack?
Chocolate ship cookies!
(from Greatest Goofiest Jokes, Sterling Publishing)

And what’s an author’s favorite food group? Chocolate, of course (do I really need to ask?).

Therefore, for the pleasure of sailors and authors everywhere (or sailors who write and writers who sail), here is one of my favorite chocolate chip cookie recipes.

Chocolate Chip Malt Cookies

1 c. butter flavored shortening
1 ¼ c. light brown sugar
½ c. malted milk powder
2 tbsp. chocolate syrup
1 tbsp. Vanilla extract
1 egg
2 c. flour
1 tsp. baking soda
½ tsp. salt
1 ½ c. semi-sweet chocolate chips
1 c. milk chocolate chips

Preheat oven to 375. Combine shortening, sugar, malt, chocolate syrup and vanilla; beat for 2 minutes. Add egg. Combine flour, baking soda and salt’ gradually add to creamed mixture, mixing well after each addition. Stir in chocolate chips. Shape into 2” balls and place 3” apart on ungreased cookie sheet. Bake at for 12-14 minutes. Cool 2 minutes before removing to a wire rack to cool.

And remember, calories don’t count—unless they’re in math class.

Blackberry Banquet Update

I found out yesterday that the publication date for Blackberry Banquet is August 2008 (not spring 2008, as noted earlier).

The good news is that Book Expo America will be in Los Angeles next year (May 29-June 1), so (hopefully) I'll be there to sign advanced copies.